Sunday, April 28, 2002 |
17:59 - Music for Context
http://www.taiko.org
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Several years ago, when I was working part-time as an usher for the performances by various groups at Beckman Auditorium at Caltech, I ushed a show by San Jose Taiko. These guys are the premier Japanese Taiko troupe in the country, from what I can gather, and their show has only gotten better.
I saw them again today. One thing that I couldn't help but notice is how much fun the performers are obviously having. They time-keeping shouts they give to each other aren't just clinical cue markers; they're whoops of exhilaration. And I don't blame them a bit. After all, I mean-- can you imagine a performance art that's more fun than banging on drums in costume, moving in sync with eight or ten other people, the spotlights flashing off your sticks, your arms slashing off in various diagonals like a primal version of an N'Sync dance act? It's probably one of the most tiring things you can do on stage (well, that arts patrons will watch), but one of the most energizing ever.
It makes me think-- Taiko is a great example of a musical form that shares a lot of fundamental structural elements with Western music. I heard on NPR a little while ago from a Japanese jazz-group member that before Western influence came along, Japanese music didn't really have any concept of harmony; music was mostly just ascetic, simple melodies on a single instrument. Very Shinto. They weren't using the Dorian scale or anything weird that would be totally incompatible with Western music, preventing "fusion" stuff or anything. But when Western music came along, the Japanese found out with a shock the possibilities that are opened up just by allowing a concept like harmony-- the Beethoven, Mozart, and so on of the day-- and the result is that today, if you want to find the biggest source of Western-style pop music, all you have to do is look at the anime industry.
Heading off to see The Scorpion King. Back later.
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